PULS
Foto: Matthias Friel
In this course, we will delve into the visual representation of power in Imperial Rome by examining various material sources such as monuments, buildings, sculptures, paintings, and coins. These sources provide valuable insights into the political, military, cultural, and religious aspects of power from the 1st century BC to the 5th century AD.
One significant aspect we will explore is the commemoration of Roman triumph through monuments. These monuments not only celebrated military victories but also served to glorify the authority and prowess of the Roman state and its leaders.
Additionally, we will analyze the diverse forms of representation of the emperor and his authority. This includes examining sculptures and portraits that depicted emperors as symbols of political and moral authority, reflecting their status as rulers of the empire.
Furthermore, we will explore the expression of wealth and opulence among elite Romans, as showcased through their extravagant lifestyles, luxurious villas, and patronage of art and architecture.
A crucial aspect of the course will be the examination of the relationship between Rome, the center of the Empire, and its periphery. By comparing the artistic forms and cultural tastes of the capital with those of the provinces and border areas, we can gain insights into the dynamics of power and cultural exchange within the Roman Empire.
Moreover, we will analyze the significance of Roman religious power and its symbols, such as the cult of the emperor. We will explore how these religious practices were transformed with the rise of Christianity and the gradual suppression of pagan traditions.
BIBLIOGRAPHY
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Andreau, J. (1999), Banking and Business in the Roman World, Cambridge.
Bardill J. (2012), Constantine, Divine Emperor of the Christian Golden Age, New York.
Beard, M. (2023), Emperor of Rome: Ruling the Ancient Roman World, London.
Beard, M. (2022), Twelve Caesars: Images of Power from the Ancient World to the Modern. Princeton, NJ.
Beard, M. (2008), Pompeii: The Life of a Roman Town, London.
Beard, M. (2007), The Roman Triumph, Cambridge, MA.
Brown P. (2002), The Rise of Western Christendom. Triumph and Diversity AD 200-1000, Oxford.
Butterworth A., Laurence R. (2005), Pompeii, The Living City, New York.
Cadenas González, A. (2020), ”Art in the Limes: Analysis of the sculptural production at the frontiers” in Suttor, M. (ed.) Les espaces frontaliers en Europe de l'Antiquite au XVe siecle. Etudes reunies par Marc Suttor. Artois, p. 15-31.
Clarke, J. (2006), Visual Representation and Non-Elite Viewers in Italy, 100 BC – AD 315, Berkeley.
Dalby, A. (2000), Empire of Pleasures: Luxury and Indulgence in the Roman World, London-New York.
Elsner J. (1998), Imperial Rome and Christian Triumph, Oxford.
Fergus, M. (2005), ”Last Year in Jerusalem: Monuments of the Jewish War in Rome” in Edmondson, J. C.; Mason, Steve; Rives, J. B., (eds.) Flavius Josephus and Flavian Rome, Oxford.
MacCormack S. (1981), Art and Ceremony in Late Antiquity, Berkely.
Maxfield V. A. (1981), The Military Decorations of the Roman Army, Berkeley, L. A.
Scott, S., Webster J. (eds.) (2003), Roman Imperialism and Provincial Art. Cambridge.
Potter D. (2004), The Roman Empire at Bay, AD 180 – 395, London.
Zanker P. (1990), The power of images in the age of Augustus, Michigan.
siehe Modulhandbuch
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