PULS
Foto: Matthias Friel
The number of participants is limited to 30. Registration takes place via PULS and students are selected randomly by PULS itself. Successfully registered students will get the password for the Moodle course via e-mail.This seminar is based on Conceptual Metaphor Theory which was first put forward by Lakoff & Johnson in 1980, and has been further developed with a focus on sociolinguistic and variational issues. The theory suggests that metaphors are not necessarily used consciously, but that they instead influence our behaviour, our interaction with others and our perception of the world. I.e., conceptual metaphors have the capacity to control cognitive processes and this often remains unnoticed by the speakers and listeners themselves.We will work with one of the latest assumptions, namely that conceptual metaphors are not only expressed verbally, but that they are observable in a range of other modes such as gestures, facial expressions, image composition or sound. Thus, conceptual metaphors are represented multimodally.The course is practically oriented and divided in four thematic blocks:
Block I (theory) spans the first three sessions. During this time, students will get input on Conceptual Metaphor Theory and various important aspects, such as
source and target domain,
mappings,
highlighting and hiding,
experiential basis,
image schemata,
conventional and innovative metaphors,
metaphor universality and variation,
cultural conceptualisations and cultural models,
nonlinguistic realisation and multimodality.
In all three sessions we will also look at example sentences and analyse short texts with regard to the abovementioned aspects in order to practise. Block I closes with an online quiz via Moodle.
Block II (exchange) spans two sessions (week 4 and 5) in which students present the interim design of their self-organised session and get feedback by the others.
Block III (application) consists of the actual thematic sessions and spans eight sessions (week 6 to 13). Each session has a particular focus, for instance on
multimodal metaphors in spoken language and gestures,
multimodal metaphors in political cartoons,
multimodal metaphors in films and TV series,
multimodal metaphors in advertising.
Students lead these sessions on their own, i.e. they present the results of their analyses, conduct group work with the others and finally discuss the results of the analyses and the group work.
Block IV (summary) concludes the seminar with a round-up discussion and the results of the students’ evaluation of the seminar.
will be provided in the Moodle
For 3 credits students have to
Note that it is not possible to write Modularbeiten in this seminar!
After the seminar the students
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