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PULS

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Introduction to Documentary Filmmaking - Einzelansicht

Funktionen:

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Veranstaltungsart	Seminar/Übung	Veranstaltungsnummer
SWS	2	Semester	WiSe 2021/22
Einrichtung	Historisches Institut	Sprache	englisch
Weitere Links	comment
Belegungsfrist	01.10.2021 - 10.11.2021 Belegung über PULS

Gruppe 1:

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		Tag	Zeit	Rhythmus	Dauer	Raum	Lehrperson	Ausfall-/Ausweichtermine	Max. Teilnehmer/-innen
	Seminar/Übung	Mo	18:00 bis 20:00	wöchentlich	25.10.2021 bis 14.02.2022	Online.Veranstaltung		20.12.2021: Akademische Weihnachtsferien 27.12.2021: Akademische Weihnachtsferien

Kommentar	Please follow the "comment" link above for more information on comments, course readings, course requirements and grading. This course will offer an introduction to the history, theory, and practice of documentary filmmaking. The first part of the course will be dedicated to the global history of documentary film. It will show how different documentary traditions have developed around the world and discuss the colonial dimensions of the history of nonfiction film. The second part, more theoretical in content, will focus on discussions around the difference between document and documentary, on the analysis of documentary films as historical sources, on the relationship between oral history and documentary studies, and on the history documentary as a film genre. Throughout the semester, participants will be also introduced to the practice of documentary filmmaking through a series of visual exercises, including a short oral history project (5-15 min). Such exercises can be done with any kind of camera. No previous knowledge of cinematography is required to join the course. To validate the course, students must 1. write a 1,000-word film analysis 2. prepare four visual exercises, including a short documentary film and 3. submit a final paper by March 31 (length to be determined by the relevant Studienordnungen).
Literatur	• Aitken, Ian and Camille Deprez. Colonial Documentary Film in South and South-East Asia. Edinburgh University Press: 2016. • Bernard, Sheila Curran and Kenn Rabin. Archival Storytelling. Focal Press: 2008. • Hepp, John and Mark Stine. “The Art of the Documentary Meets Oral History.” In: Ng, Julien (ed.). Culture, Time and Passion: The Fibers of Art. Warnborough: 2015. • McLane, Betsy. A New History of Documentary Film: Second Edition. Continuum: 2012. • Nichols, Bill. Introduction to Documentary: Third Edition. Indiana University Press: 2017. • Rosen, Philip. “Document and Documentary: On the Persistence of Historical Concepts.” In: Renov, Michael (ed.). Theorizing Documentary. Routledge: 1993, pp. 58-89. • Sipe, Dan. “The Future of Oral History and Moving Images.” The Oral History Review 19 (1/2), 1991, pp. 75-87. • Quinn, Kames (ed.). This Much Is True: 14 Directors on Documentary Filmmaking. Bloomsbury: 2012. • Winston, Brian (ed.). The Documentary Film Book. Bloomsbury: 2013
Leistungsnachweis	See Studienordnungen

Strukturbaum

Keine Einordnung ins Vorlesungsverzeichnis vorhanden. Veranstaltung ist aus dem Semester WiSe 2021/22 , Aktuelles Semester: WiSe 2024/25

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